<p><BR/>Replying to:<BR/><DIV CLASS='Discussion_PostQuote'>Well, his last paragraph is spot-on -- what makes a movie good has nothing to do with the quality of the science but instead depends on whether or not it engages you emotionally. To do this, the story itself needs to be believable. Good, solid science helps enormously with that, but it's not the most important thing. It needs to make sense in terms of the human condition. Even a movie that isn't about humans. It may seem rather species-centric, but the fact is that we understand the universe through the lens of our own behavior, and so therefore a story will only make sense if it is constructed in the same way as that lens.I am not overly worried about the science being implausible, especially with Seth Shostak involved. <span style="font-weight:bold" class="Apple-style-span">But I still worry a great deal that the *story* will be implausible.</span> Perhaps a reason is given for why the aliens care about the Earth's environment. Frankly, they seem rather implausible if they're just intergalactic busybodies. They need more motivation -- and then things start getting a bit rickety, if it takes a long time to explain their motivation. Shostak even points this out in his article: there's no plausible reason for aliens to intervene in our own self-destruction (assuming, of course, that what we are doing really is self-destructive, and there's no possible hope for us). The best, most powerful stories are much simpler. In the 1951 movie, the aliens just wanted to make sure we knew what the rules were in interplanetary space before we got ourselves zapped. And it wasn't exactly an anti-nuke message. It was an anti-war message. They weren't solving our problems for us. They were just giving us fair warning. On a more personal note, I was a bit peeved when Shostak described the original Gort as "an interstellar Robocop brought along by Klaatu who looks as if he could barely stumble across a busy street." Part of the *point* of Gort was that he was invulnerable and possessed an impossibly powerful weapon. It didn't really matter that he was slow moving on foot. Why would Gort care about chasing down individual humans, when he could wipe out the entire planet without breaking a sweat? The individual humans were largely unimportant to him.I think it also enhanced his menace. Sure, his physical limitations were a limitation imposed by the costume and the frail health of the very tall gentleman who wore the suit. (Suits, actually: one with a zipper in the front, one with a zipper in the back.) But because he was used so sparingly, and for most of the movie was utterly motionless, the focus was not so much on Gort's menacing power but on the much more interesting story of Klaatu finding his way among the humans. It was also consistent with the fact that the aliens were not really intending to frighten humans (at least, not until Klaatu was convinced that some kind of demonstration was in order), and that Gort himself really wasn't in the least bit concerned for his own personal safety. In terms of relative power, humans are like houseflies next to Gort. Able to annoy, but generally not worth paying attention to. <span style="font-weight:bold" class="Apple-style-span">When Gort goes to retrieve Klaatu's corpse, he completely ignores the humans around him.</span>One other thing: why did Helen become a scientist? Sure, it's nice seeing a woman in such a role, but part of the appeal of the Helen played by Patricia Neal was that she was an "everywoman". Well, not all that typical for the day -- she was a working single mom, a war widow whose son never got the chance to know his father. She's a secretary, and her son is hugely proud of her, remarking that she's a real secretary, not like those secretaries in the White House, who aren't really secretaries at all. ;-) She's courting an insurance salesman, who could've been played as a stereotypical jerk but instead has depth -- a basically nice guy who cares about her and her son and who really wants the best for her, but is a bit controlling and jumps to conclusions about Klaatu -- just like the soldiers did the day Klaatu landed and was immediately shot. By the end of the film, that relationship is clearly not going to work, and she may be falling for Klaatu -- but uncharacteristically for a 1951 sci-fi movie, she isn't just Klaatu's love interest, and he quite clearly is not falling for her, and the relationship is quite platonic. I've always found that refreshing. <br /> Posted by CalliArcale</DIV></p><p>To be fair, there were implausible aspects of the 1951 original. For example, what is the likelihood that Gort would have been guarded by only two soldiers, armed with rifles, with the military brass knowing what kind of power he had? Or that Gort could have made his way from the spaceship through Washington DC to Klaatu, and back again, with absolutely no one noticing? Those things irritated me (but didn't stop me from enjoying the film).</p> <div class="Discussion_UserSignature"> </div>