Hello,<br /><br />I have been reading this post and find it quite interesting. I opted to re-watch 2001 this weekend and tried to keep your points in mind.<br /><br />I have to say that what you derive from the 2001 might be garnered from your basis of comparison or, at the very least, your initial expectations. <br /><br />There has/had been a body of SF film before and after 2001. To say that 2001 was a watershed is accurate. It changed SF film in terms of a certain look and approach to storyline. It is both art and storytelling. <br /><br />Is it a good film? Maybe not, if you are looking for something swashbuckling or action-adventure. And maybe that is the point. SF as depicted in film is not necessarrally "literate" SF, ie, the stuff you read in mainstream books. <br /><br />Let me give you an example: many books from any decade you can choose tell both a good story but also work around an idea. AE van Vogt's classic "Slan" is an adventure novel that could become a typical SF film (it is almost a progenitor of The Matrix, IMHO) but at its core "Slan" is about the nature of reality and ultimately, it is a book about resurrection. Pretty deep stuff, not all of it would translate to the screen.<br /><br />I believe when Kubrick did 2001 he went for the deeper stuff from Clarke's short story, "The Sentinel." There's the basic SF story-line: odd alien object and subsequent journey to explore it further...very simplified, I know!<br /><br />But Kubrick and Clarke also looked at evolution and the meaning of being. There are three competing intelligences in the movie. Homo sapiens, AI (HAL), and the Monolith Builders. What HAL does to Discovery's crew isn't that far removed from what the ape-men do to each other at the waterhole. And the flash shot from bone to satellite shows the evolution not of technology, but of weaponry...that satellite is actually an orbiting H-weapon platform, a big possibility and concern at the time the film was made.<br /><br />So if you look at the film as