Okay, saw it with one of my daughters today, and...<br /><br />...we liked it!<br /><br />No, didn't say 'loved.' 'Liked.' But this is a comic-book, dammit, not Margaret Mitchell. Criticisms aimed against comic-book fare brought to the silver screen, frankly, lack much force. Example: 'If you ask me, the actor playing Mickey Mouse in the film failed to convince me to suspend disbelief and invest in Mickey emotionally...thumbs down, sorry to say.' Really? Well, maybe no one should have asked you, since you are clearly mistaking Mickey Mouse for Rhett Butler. This is not <i>Gone with the Wind</i>, after all. It's a comic-book dreamed up a long time ago as a means for separating young boys from their pocket money. What worked for comic-books, done properly, just might work for movies. So has Tim Story's team done a proper job?<br /><br />Another way of putting the question: Are people entertained? My take on it is that they are, and will be. And the reason for that lies largely with the addition of the Silver Surfer.<br /><br /><i>Errm.. Sounds like someone didn't read comics when they were a kid.</i><br /><br />Part of the problem in going from one medium to another. Some have read the comics, but many haven't. I'm betting most haven't. So how do you make a successful cross-over, bringing along the old fans while recruiting some new ones?<br /><br />The Surfer might be Hamlet. If he is, then Galactus stands in for King Claudius, and the intolerable situation of serving a hated master can only go on so long. Watching Hamlet wrestle with his own modern and neurotic notions of conscience, duty, and honor - unwilling to act while his internal struggle drags on - is also something that can only go on so long. There's something to what Orndorf says, whether he's read the comics or not. Like you, I disagree with Orndorf, since the Surfer is a philosophical device made flesh through the inspiration of Jack Kirby and the savvy of Stan Lee. The question marking the bo