<font color="yellow">Some spoilers below.</font><br /><br /><br /><br /><br /><i>Anyone notice how much the aliens resembled the ones from Independence Day.</i><br /><br />I haven't read the book, so I don't know whether Spielberg was merely sticking to Wells' descriptions of the aliens, but I thought the aliens were one of the many weak points of this film. Not the best film in Spielberg's repertoire, but also not quite 1941 too. <br /><br />I can't say I liked it much overall, but I probably went into the theater with too many expectations. I was really ready to be blown away, and that just didn't happen. It was enjoyable and sometimes strong, but then it was too slow too and at times a bit ridiculous. Like in Saving Private Ryan, the most intense part of the movie was the first 25-30 minutes. There's a great build up of tension, the characters are introduced nicely and convincing, although Cruise and the angel faced children just seem to be too much like out of a toothpaste commercial, if you know what I mean. Lacking charisma. But acceptable. The special effects kick in almost right away, and the scene where the tripod emerges in the middle of the street is very well done, with the church being torn apart, until the aliens start zapping people. What's up with the vaporizing? Is that sticking to Well's story again, or is it a rather misplaced 50's sci-fi tribute or something like that? I was quite caught up in it until the silly business with the zapping started. Someone in this thread compared it to Mars Attacks and it was my first thought too. Major let down. But perhaps Spielberg was looking for a way to not make it too bloody, keep it a family film, which I then think was a bad choice. After that I never got quite in the movie again. Of course there is A Family That Needs To Be Healed, like in virtually every Hollywood film, but it didn't really work in this one. When Robbie left Ray and Rachel behind, it just thought 'good riddance', because he was annoyin