That's true: there have been good remakes, and sometimes it's nice to see improved SFX. On the other hand, I think the effects in Day the Earth Stood Still were perfectly good, standing up surprisingly well even for today's jaded audiences. They kept things subtle, and limited the SFX so that they did not overburden the story or call attention to any failings. Nowdays, SFX are often used almost as spackle, liberally spread wherever necessary to keep the audience entertained (by distracting from the deficiencies of a poor story -- and make no mistake, this could become a poor story if told badly).<br /><br />My biggest worry is that with Hollywood's tendency to push young, inexperienced filmmakers (believing wrongly that quality results from having fresh ideas, and not from the experience to know how to express ideas well), they'll end up with something which really won't stand up well to Robert Wise's phenomenal direction. That was the single biggest factor in the original film's success, although the fine cast certainly was also vital. <div class="Discussion_UserSignature"> <p> </p><p><font color="#666699"><em>"People assume that time is a strict progression of cause to effect, but actually from a non-linear, non-subjective viewpoint it's more like a big ball of wibbly wobbly . . . timey wimey . . . stuff."</em> -- The Tenth Doctor, "Blink"</font></p> </div>